TCR 2-50 contributor Sharla Sava emphasizes, in her essay Gridlock: Antonia Hirsch’s World Map Project, that both the form and content of Antonia Hirsch’s World Map Project attest to social transformations brought about by the advent of a post-industrial, globalised world system. Rather than stressing the sovereignty of the individual nation-state, Hirsch’s art mobilizes data […]
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