While the focus of the research of TCR 2-50 contributor Laura U. Marks remains primarily on the vector-like qualities of Islamic calligraphy, she does draw our attention to one of the origins of the free and lively line of Islamic art:
I will just note that both writing and curvilinear patterns function in very similar […]
Mar
17
the free and lively line
Category: EXCERPTS, LINES, Laura U. Marks | Leave a Comment
Flow
-
Blogchive
-
Categories
- Andrew Klobucar
- Babble Brook
- BIOS
- BODIES
- CODES
- Darren Wershler-Henry
- David Jhave Johnston
- DEFINITIONS
- ESSAYS
- EXCERPTS
- FLOATSOM
- Global Telelanguage Resources
- Gordon Winiemko
- J. R. Carpenter
- Jim Andrews
- Kate Armstrong
- Kevin Magee
- Laura U. Marks
- LINES
- MAPS
- MARKUP
- Nancy Paterson
- PARTICULATE
- PERFORMANCE
- POETRY
- QUESTIONS
- QUOTATIONS
- READING
- Sandra Seekins
- Sharla Sava
- SOURCE
- TOOLS
- VIDEOS
- WORKS
-
Headwaters
- J. R. Carpenter
- The Capilano Review
- Andrew Klobucar
- Kate Armstrong
- Global Telelanguage Resources
- Sandra Seekins
- David Jhave Johnston
- Sharla Sava
- Laura U. Marks
- Babble Brook
- Kevin Magee
- Jim Andrews
- Gordon Winiemko
- Nancy Paterson
- Darren Wershler-Henry
