Tributaries & Text-Fed Streams

Here is a re-reading TCR 2-50 comprised of one question posed by each author listed in the order their essays appear in TCR 2-50:
It is not unusual to find [Australian poet Komninos] Zervos’s term “crisis” frequently employed in critical comparisons of print to electronic modes of production. If the term is warranted, the dilemma derives, […]

In offering up Some Thoughts About “New Media” in Quotes, Gordon Winiemko notes: I could perform on cue myself, and provide a list of “new media” work that I like. I just recently took Janet Cardiff’s video walk-through of San Francisco MOMA again and, like the first time, it did not fail to move me. […]

The network as a model of both cultural creation and organization retains a growing influence outside the Web, as is evident in Sandra Seekins’s research into biotech art. In her TCR 2-50 article Of Molecules and Matter: The Promises and Perils of Biotech Art she asks:
What are the cultural, political, and aesthetic roles of artists […]

In her essay, Feeds ans Streams: RSS Poetics, Kate Armstrong asks: “How might an RSS feed produce new art and digital literature?” The highly fluid flexible flux-able customizable nature of RSS changes the way we read, write, access and understand text. So much so that our notion of what a reader/writer is has […]

In his essay, Artifice And Intelligence: New Writing, New Technologies Andrew Klobucar writes:
To understand writing as a mode of transliteration, “to designate,” in Derrida’s words, “the signifier of the signifier,” is to invoke automatically, however briefly, a crisis in cognition. Does not the very consideration of writing as verbal meaning or speech seem determined […]